Hair-eras of Cher
by Robrt Pela
Expert Bio: Robrt L. Pela's favorite Cher song is "She's
No Better Than Me." He makes his living as a writer, but only because he hasn't
figured out how to get paid for knowing useless minutiae about Cher's recording
career. [See Robrt Pela's articles on Cher
and the movie Chastity
from The Pheonix New Times, as well as his NPR
stories.]
It seems likely that Cher is a myth; not a
person so much as a team of people who have been manipulating a five-foot-seven
automation for a half-century or so in order to fill gaps in contemporary
culture. How else to explain the fact that Cher has so often transformed herself--her
musical style; her job description; and always, always, her hairdo--and yet
remained so recognizable to us?
The greatest amount of data indicating that
Cher is almost certainly not a single human being can be found in her numerous
musical eras. Because while the product known as Cher has sometimes been a
television star, occasionally been a film actress, and less frequently a Broadway
performer, an aerobics instructor, and a spokeswoman for créme rinse,
she has most consistently been presented to us as a singer.
The breakdown of musical Cher Eras presented
here should prove, once and for all, that Cher is in fact a not unpleasant
conspiracy--perhaps designed to keep us mindful of synthetic hair or to invite
discourse about the value of singing phonetically in other languages--rather
than a real person. It becomes, when considering the musical Cher, that she
is a myth because, for example, no pop star would be allowed to co-host a
network television show with her ex-husband while pregnant with the child
of a heroin-addicted current spouse. The final proof that Cher is in fact
a musical mannequin, of course, lies not in the ever-changing size of her
nose and teeth but in the fact that no movie star would dare to appear in
a hair-care infomercial mere weeks after winning on Oscar.
Note: click thumbnail pics below for larger picture.
| History |
Era |
Defining Moment |
Hairstyle |
1964 -
1967
Labels: Imperial/Atco
Music: Folk Rock
Big Hit: "Bang Bang" |
Early Folkie |
Getting kicked
out of The London Hilton |
Long,
low, Beatles bangs |
|
1967 - 1969
Labels: Imperial/Atco
Music: Pop/Adult Contemporary
Big Hit: "The Beat Goes On" |
Schizophrenic Late-Early Hippie/
Adult Contemporary |
Performing "You’d Better Sit
Down Kids" on The Jerry Lewis Show |
Ironed, shorty bangs with little
wings |
|
1969
Labels: Atco
Music: Bogus blue-eyed soul
Big Hit: None |
Full-On Fake Hippie |
Recording 3614 Jackson Highway
in Memphis |
Bandanas to hide growing-out bangs |
|
1970 - 1974
Labels: Kapp
Music: Pappy pop
Big Hit: "Gypsys Tramps and Thieves" |
TV Star, Part I |
Leaving Sonny |
Straight, parted down the middle.
No bangs/loads of wigs |
|
1975 - 1977
Labels: Waner Bros.
Music: Boring
Big Hit: None |
TV Star, Part II |
Baring her navel on network TV |
Wigs. Nothing but wigs. |
|
1978 - 1979
Labels: Casablanca
Music: Dance-pop
Big Hit: "Take Me Home" |
Disco |
Appearing on Merv Griffin
in Vulcan headgear |
Curly frizz wigs |
|
1980 - 1982
Labels: Casablanca/Columbia
Music: Glam rock
Big Hit: None |
I Wanna Be a Rock Star! |
Black Rose guests on Midnight
Special |
Chopped-off gypsy shag |
|
1987 - 1992
Labels: Geffen
Music: AOR Rock
Big Hit: "Turn Back Time" |
I AM a Rock Star! |
Winning an Oscar; Dry-humping a battleship
wearing a thong |
Long, curly biker-babe do wigs (on
top of bleached mohawk) |
|
1993 - 1996
Labels: WB
Music: Bluesy pop
Big Hit: "One by One" |
Epstein Barr |
Chastity comes out of the closet |
Revisionist Cher wigs (long, parted
down middle) |
|
1999 - 2002
Labels: WB
Music: Synth dance-pop
Big Hit: "Believe"” |
Lazarus Returns (to disco) |
Winning a Grammy |
Countless wigs (some involving fiber
optics) |
|
2000 - present
Labels: WB
Music: All the hits, all the time
Big Hit: "“Song for the Lonely" |
Grande Dame |
Four years of Farewell touring followed
by Vegas |
Retrospective wigging (hairdos representing
every Cher era; some blonde) |
|
Read the blog
entry on Cher hair.
Contact CS | ©2008
Cher Scholar